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In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. PROVENANCEDonated by the artist NOTEAs she did for Embankment, Whiteread has used an old box to create this piece, more specifically a twelve-bottle box of wine, laid on its side as if to allow for proper maturing.

Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. The details of the cardboard box are protruding at odd angles.

CP View additional info PROPERTY OF OAK BROOK BANKB. NOTES Rachel Whiteread's sculptures solidify space. Her negative casts of everyday objects have a strongly material presence, as Fiona Bradley says "they hold and occupy space, speaking to the viewer and to each other of the domestic landmarks of human experience." (Fiona Bradley, 'Rachel Whiteread Shedding Life', London, 1996, p.34.) 'Untitled (Square Sink)' 1990, is the cast from the underside of a wash basin.

1963UNTITLED (THREE TABLES)overall: 28 1/2 x 126 x 24 in. This exhibition travelled to Nottingham, Castle Museum, Jan.-March 1995. "The bowl is raised on a stack of plaster blocks, as though the image were entombed in a minimalist sculpture; the pedestal becomes the meeting point between abstraction and figuration.

Visible upon very close inspection, one of the upper corner tips of the concrete plinth appears to have been consolidated. Das Modell ist in ein Schutztuch mit gesticktem Etikett gehüllt. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report.

"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. – One of 40 copies of the luxury edition with the cast metal model car and the colour serigraph (folded sheet for a box to storage the “car”). Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion.

Rachel Whiteread (b.1963) LOnd On 2012, screenprint in colours, 2012, signed and dated in pencil, numbered from the edition of 250, printed by Coriander Studios, London, published by Counter Editions, London, on Somerset Satin wove paper, with full margins, 760 x 600 mm (30 x 23 5/8in) View additional info Rachel Whiteread (b.1963) LOnd On 2012 screenprint in colours, 2012, signed and dated in pencil, numbered from the edition of 250, printed by Coriander Studios, London, published by Counter Editions, London, on Somerset Satin wove paper, with full margins, 760 x 600 mm (30 x 23 5/8in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. In 2000, she won the commission for the Holocaust memorial on the Judenplatz in Vienna, for which she cast the interior of a library.

View additional info Rachel Whiteread (b.1963) - Herringbone Floor laser-cut relief in 0.8mm Finnish birch plywood, 2001, initialled, titled and dated in pencil, numbered 326/450, produced by Lasercraft, Huntingdon, Cambridgeshire, published by Counter Editions, London, the full sheet, overall size 505 x 440 mm (19 7/8 x 17 1/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. In the case of Embankment, she created a monumental installation out of 14,000 casts of the inside of several boxes, using as a starting point the old cardboard box full of childhood memories.

Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE." View additional info and full condition report Colour: The colours in the catalogue illustration are fairly accurate, although the chair is slightly lighter and the plaster tends slightly more towards yellow in the original, which might be the result of light discolouration. All surface irregularities to the chair are in keeping with the artist's choice of found materials.

– Eins von 40 Exemplaren der Luxusausgabe mit dem Metallguss-Modellauto und der Farbserigraphie (Faltbogen für eine Box zur Aufbewahrung des »Autos«).

Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report.

View additional info and full condition report § Rachel Whiteread (British, b.1963) Herringbone Floor titled and dated 2001 lower left and initialled "RW" lower right and numbered 238/450 laser-cut relief in Finnish birch plywood h:36 w:30 cm Other Notes: Rachel Whiteread is perhaps best known for her 1993 Turner Prize winning life size concrete cast of an East End terraced house. The artist has acknowledged the source of this poignant work to lie in a cardboard box of her mother's belongings she found after her death.

Rachel Whiteread (b.1963) Mausoleum Under Construction screenprint in colours, 1992, signed, titled and numbered 16/ 65, as included in the London Portfolio, published by Charles Booth-Clibborn under his imprint the Paragon Press, on wove paper, the full sheet printed to the edges, sheet 560 x 790 mm (22 x 31 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. --------------- RACHEL WHITEREAD(London 1963 - lebt und arbeitet in London)Switch. This process has been Rachel Whiteread's trademark since the early days of her career.

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Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion.

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